Alongside the label we run a small sync arm. We license tracks from the catalogue — vocal and instrumental — and write original beds to picture for broadcast TV, factual, and brand campaigns.

It started as a side door and turned into a habit. Our music has landed on US reality, UK soap, sports and documentary, and we work through Sony/EMI and BMG as well as direct.

What editors get from us: pre-cleared masters, stems and instrumentals on request, one point of contact, and a turnaround measured in hours rather than weeks. No publisher maze.

Supervisors and producers — tell us the brief and we’ll send a reel cut to it.